Editorial Reviews. From Library Journal. In the midst of a war between two galactic empires, Consider Phlebas (A Culture Novel Book 1) – Kindle edition by Iain M. Banks. Download it once and read it on your Kindle device, PC, phones or. A Definitive Ranking of Iain M. Banks’ Culture Novels . A novel detailing the fallout of the Culture’s machinations in Consider Phlebas (more. The retail giant and streaming outlet has acquired rights to the first novel in Iain M . Banks’ “Culture” series.

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Amazon Adapting Iain M Banks Space Opera Consider Phlebas

He said he found it distasteful that galactic empires always had to be right-wing military hierarchies; I didn’t realize it when I was nine, but the basic plot in Smith is one bunch of Nazis fighting another. I’ll be seeking his voice out in the future. Thanks for telling us about the problem. Since the Culture novels are almost entirely standalone, you can cycle back to Consider Phlebas at any point after you’ve read some others without missing anything particularly crucial.

I found the repetition particularly inexplicable.

Amazon Adapting Iain M Banks Space Opera Consider Phlebas | News | Movies – Empire

The smartest Culture machines, the “Minds”, are indeed enormously more intelligent than any person could be, and have almost godlike powers. His parents wished to name him Iain Menzies Banks but his father made a mistake when registering the birth and he was officially registered as Iain Banks. There were very few moments where I felt surprised or spurred to thought by Banks’ story. Published April 14th by Orbit first published April 23rd The writing did not click with me – I can’t put my finger on it, but I kept being pulled out of the story because the writing felt bland and awkward.

Balveda reveals Horza’s identity and he convinces the crew to carry out his mission.

Jun 26, mark monday rated it really liked it Shelves: A ‘McGuffin’ is just a generic thing that moves the plot along, usually something a character wants. As always I was prepared to be impressed, or even bankx, and to tell the truth, it started off with some promise.

How violent is this book? This book had about pages of plot, character, and world buried in pages of redundant explanations, appendices, exposition, explosions, gore, gross outs, and digressions.

Mostly, the problem was a common one: He is introduced to a newly recruited member, whom he recognises as a disguised Perosteck Balveda. The author presumably wanted consideer increase the number of people who’d get as far as even opening the book. Yalson was still his only friend, but he got on well enough with his roommate, Wubslin, though the stocky engineer was quiet, and, when not eating or working, usually asleep.


So here is my problem: But of course a lack of conflict and danger make for a pretty boring existence, so Banks has wisely chosen to populate his universe with dozens of iajn species who come into contact with the Culture, sometimes peacefully and sometimes not.

The story begins with him captured by a hostile government and about to be executed. I can’t think of another book that left me disappointed, satisfied and relieved all at the same time, but that’s what happened here, which more than made up for sections I felt more lacking.

Both include advanced utopian human civilizations, and respected by alien races.

Banks takes us into a universe phelbas different from our own; a universe of planets and orbitals, of spacefaring humanoid and alien species, space-living civilizations and societies, composed of old wars and ancient histories ian create an incredible new, but deep world with living organisms, artificial or not, that give their own breath.

At the book’s end, I have a section pointing this out by telling what happened after the war, which was an attempt to pose the question, ‘What was it all for?

This was was a solid 4 stars. This book features a complex, uain, badass and, at times, hilarious characters. Well, not really; Horza is hard to enjoy. Mar 25, Brad rated it really liked it Shelves: Well, that’s a lightning tour bbanks the Culture universe, and Consider Phlebas makes good use of it. Doc Smith, for a long time the unquestioned king of this particular sub-genre. Consider Phlebas is Banks’s first published science fiction novel and takes its title from a line in T.

The pnlebas books in the series are from the perspective of a citizen of the Culture, which is difficult to define succinctly so I will just say, imagine if you lived in a universe where yo This is the second Culture book I read but the first one Iain M.

We are told it again on the following page, from the same character’s internal monologue, on the same day. At first, I thought his reasoning for working against humanity a little underdeveloped: He knows readers want the action and adventure, and he delivers in strides, but still finds a way to bury the soul of the story on the periphery of the chaos.

The Culture is an amalgam of human and machine intelligence, with the latter forming the functional backbone and the humans being mostly decorative. The moment he gains the ability to reach them, he forgets about them and goes off to check something else out. He does a very good job and strikes the right tone of irony when needed.


So in the end I would say that Consider Phlebas is not a complete success or failure as a novel, but its primary importance is in establishing the template and introduction to the fantastic and limitless potential of the CULTURE universe.

Consider Phlebas

By the time you’ve got a dozen pages into it, you’re convinced that this will, at the very least, be pleasant to read at the sentence level.

If that makes sense? The influence of the Culture is constant, if distant. He is selfish, and can be brutal and callous, yet still has enough of a personality and shows momentary lapses of compassion, that he becomes likable.

When I talk about a ‘back-loaded’ plot, I mean one where all the action is constantly focused on the final conclusion. None the less, if you love a book when you’re nine, it probably has something to recommend it; what’s great about space opera is the sense of wonder it inspires, as you are taken outside our little planet and shown how huge and strange the larger Universe is.

If you show the audience something that looks, feels, smells, and tastes like an apple, they aren’t going to believe it’s a banana, no matter how many times you tell them it is. Remember when we met Aragorn in Lord of the Rings? The Dra’Azongodlike incorporeal beings, maintain Schar’s World as a monument to its extinct civilisation, forbidding access to both the Culture and the Idirans. Banks will sometimes talk about purported differences in personality, but as usual, these are never actually demonstrated by the characters themselves.

The second Idiran, who had been mortally wounded but not killed, sets one of the trains for a collision course to the station. Banks met his wife Annie in London, before the release of his first book. Really, there should be a fairly clear goal for each distinct scene, otherwise, all of the build-up, all the tension, all the motivation is pointing at one spot–all loaded on the back, which that doesn’t make for a very balanced story.

This isn’t necessarily a problem if you’re writing a light, accessible Space Opera story, but it’s detrimental to a ponderous, meandering book that relies on a more complex, unusual setting. Iain Banks is an incredibly nuanced, subtle writer, and he accomplished something unique with Consider Phlebas.